Movie Review of : Ra.One

Rating:*** (3.5)

Cast: Shah Rukh Khan, Kareena Kapoor, Arjun Rampal, Shahana Goswami, Armaan Verma

Direction: Anubhav Sinha

Genre: Sci-fci

Duration: 2 hours 35 minutes

Story: Goofy gaming expert, Shekhar Subramaniam (Shah Rukh Khan) wants to be a super hero for his son Prateik (Armaan Verma). But his young son, like all young sons, thinks super villans are more cool. So Shekhar creates the ultimate clash of good against evil by pitting a very powerful anti-hero Ra-One against a seemingly less potent good guy. But can the good guys ever lose?

Movie Review: Rajnikant's Robot may have pre-dated it, but Ra-One does manage to hold despite the larger-than-life quality of Rajni's antics as Chitti. Here, Shah Rukh Khan does the train walk sideways and he does it rather well. And if that is not enough, the two desi sci fi heroes have a split second encounter on the streets of Mumbai, with Rajni saar showing off his flying googles act and SRK replicating it with elan. Twin Rascals!

Ra-One works on several accounts. First because it has some interesting clashes betwen G-One, the good robot(Shah Rukh Khan) and Ra-One, the bad robot, who can take the form of anyone he wants. Secondly, the bond that G-One develops with the family he is supposed to protect, Kareena and her young son Prateik, is warm and winsome. There is also a lot of wit thrown in here and there in the screenplay, specially when the film concentrates on the geeky and loving Subramaniam's family dinners. And finally it is the excellently sung and choreographed Chammak-Challo number which keeps the mercury rising to unprecendented heights.

The film falls back in the emotional quotient. Understandably, robots have no feelings, but remember, even the steely Terminator managed to have a very special relationship with the mom and her messiah son. Also, considering so much money has been poured into the film, the special effects and the hi-tech gadgetry lacks the glitzy feel of Hollywood sci-fi. In some places, it even gets somewhat tacky with all those flying cars hurtling into nowhere and the digital game screen going gaudy in orange.

Small quibbles, actually, since Ra-One is sure to usher in a crackling Diwali at the box office and give the audience paisa vasool entertainment, with fine performances by both Shah Rukh and Kareena. Even young Armaan is efficient. Go have a blast.

Read more...

Movie Review : Housefull

Film: Housefull

Cast: Akshay Kumar, Deepika Padukone, Riteish Deshmukh, Lara Dutta, Jiah Khan, Boman Irani

Genre: Comedy

Direction: Sajid Khan

Duration: 2 hours 30 minutes

Critic's Rating:***

Story: Akshay Kumar, the proverbial loser, believes he can ward off his bad luck by finding true love. But each time he falls in love, misfortune strikes and his girlfriend walks out on him. This time, hope begins to float...He finds Deepika Padukone who does love him. But how does he convince her military-man brother, Arjun Rampal and extract himself from the web of lies his friends, Riteish and Lara, have built around him?

Movie Review: Sajid Khan returns after the success of Heyy Baby, a spilt milkfood and soiled diaper soiree that did manage to tickle your funny bone with its infant histrionics. With Housefull, he doesn't stray much and tries to create a similar riot of hilarious episodes, centred around two couples -- Akshay Kumar-Deepika Padukone and Riteish Deshmukh-Lara Dutta. Trouble lies not so much with the couples as with their relatives: Lara's estranged Pappa, Boman Irani and Deepika's angry brother, Arjun Rampal. Can the boys manage to win their beloved's parivar walas? Not an easy task, specially when both are losers of sorts and don't have the mandatory big house, big money, big lifestyle....

The film begins on a funny note, with Akshay trying to seek refuge from his bad luck by moving in with his best buddy, Riteish and his wife, Lara. A vacuum cleaner turned awry and a tryst with a tame tiger on the sofa are some of the spoofs that showcase Akshay Kumar in his quintessential comic act: deadpan humour by the I'm-just-a-simpleton hero. You do settle down for some fun and games, but sadly, the film peters off into a not-so-funny middle with Akshay serenading Jiah Khan and the viewer having to endure a prolonged Chunky Pandey cameo as Aakhri Pasta, an Italian hotelier who actually makes you want to howl than laugh. Thankfully, he is bundled off, but the muddlesome middle has already taken its toll on the film by putting the brakes on comedy. The second half picks up again as the foursome rent a house and the relatives -- Boman and Arjun -- arrive. The game of subterfuge and mistaken identities begins with Akshay reluctantly pitching in as Lara's husband and Deepika's boyfriend and trying his goofy best to win over both Boman and Arjun.

It's literally slapstick humour, with a lot of slaps flying around between simians and humans, humans and humans. Nevertheless, it makes you laugh, provided you don't go looking for artistry and intelligence. Also, you'll find the usual jokes about homosexuality and Gujarati incredulousness, made famous by Kal Ho Na Ho. Shankar-Ehsaan-Loy's audio track has a few peppy numbers which however do not promise to end up as chartbusters, except Mika's `apni to jaise-taise...' The rest of the songs are good while they last. Period. Akshay Kumar and Riteish Deshmukh share a better chemistry between themselves than they do with the girls. Wish the Boman Irani and Lilette Dubey track had been explored further. It did have great potential.

All said and done, Housefull might not set the summer scorching, but it does create a ripple after a prolonged lull at the multiplexes. Let the summer begin to simmer, then sizzle....

A word about:

Performances: Akshay Kumar never laughs in the film, yet manages to make you laugh with his `loser' act. Riteish and Akshay share a combustible chemistry which is much more than we can say about Akshay and Deepika: quite thanda.

Dialogue: Simple and slapstick.

Story: Revolves around the usual formula of a comedy of errors and mixed-up identities.

Cinematography: Vikas Sivaraman keeps his camera mostly indoors, except when it moves to Italy.

Music: Shankar-Ehsan-Loy do not come up with an inspired track. They just fit the bill, except when they reinvent the popular Laawaris number `aapka kya hoga, janab-e-wali'.

Styling: Both Deepika and Lara sport the urbane and chic look with their skimpy dresses. Jiah Khan oscillates between the traditional and the oomphy image by donning both the salwar kameez and the bikini. The boys -- Akshay, Arjun, Riteish -- are cool and casual.

Read more...