Movie Review : Golmaal Returns

Director: Rohit Shetty
Cast: Ajay Devgan, Tusshar Kapoor, Shreyas Talpade, Arshad Warsi

The breaking news is that Golmaal Returns is a clear rip-off of a 1973 Hindi film Aaj Ki Taaza Khabar . And though the era-old film was a decent story in itself and even remade as a Marathi film in the 80s, the Golmaal sequel doesn’t match up to either while deriving from both.

Gopal (Ajay Devgan) is married to a size-zero couch potato Ekta (Kareena Kapoor) who, influenced by her K-serials, keeps suspecting her husband at the slightest provocation. One fateful night Gopal gets stranded in a yacht with Mira (Celina Jaitley). While framing a fake story to suit her wife, Gopal spontaneously invents Anthony Gonsalves as his friend cum previous night partner. He makes his office subordinate Laxman Prasad (Shreyas Talpade) his partner in crime, posing him as Anthony Gonsalves.

While seeking inspiration so far from the original, the writer attempts to infuse uncalled for innovation by adding a murder mystery to the plot with Inspector Madhav (Arshad Warsi) suspecting Gopal behind the killing. The screenplay is reworked to accommodate the leading quartet and is revised with spoofs so contemporary that at times it makes you wonder if the script drafts were devised on the sets.

There are subtle references to the earlier episode though this one isn’t a continuation of the first part. Vrajesh Hirjee’s serpentine act is repeated from the original and there’s also a tribute-cum-takeoff on the missing member Sharman Joshi. The film takes forward its legacy of ‘Black comedy’ and also adds Bhansali’s Saawariya to the spoof-list. The humour varies from superior to slapdash variety ranging from subtle satire on Saif-Kareena tattoos to the overstated Ekta Kapoor soap spoofs. There are some intended parodies which never take off like the character names Gopal Kumar Santoshi and Mira Nair. Then there are some jokes that clearly fall flat like the Ajay Devgan – Celina Jaitley salsa sequence on the yacht.

The writer wittily evades the censor scissors by having the mute Tusshar Kapoor indulge in most of the cursing. But script supervisor Robin Bhatt keeps making intermittent appearances with some lame internet jokes. Sample one gem of a dialogue when Kareena says, “Main serial watcher hoon aur mere pati serial killer nahi ho sakte”. The first half is thankfully devoid of any song tracks and you don’t mind excusing the only action item number in the second half that is declared to be derived from Rajnikant’s Sivaji – The Boss.

In trademark Anees Bazmee – Priyadarshan brand of comedies, the climax gets together the entire cast including supporting actors to villain sidekicks for a silly and intentionally exaggerated ending.

Tusshar Kapoor and Shreyas Talpade share capable chemistry and comic timing in the film and come up with the most entertaining acts. Tusshar’s mute act ranges from the absolutely incomprehensible to the palpably peculiar antics. Shreyas has a natural flair for comedy and makes you laugh with effortless ease. Ajay Devgan is decent but Arshad Warsi is underused. Amrita Arora can’t act to save her life and while not much is expected from Celina or Anjana, even Kareena fails to impress. Her talent isn’t justified in her shallow characterization.

Golmaal Returns reloads its cast with some new girls but doesn’t replenish its humour with more wit and imaginative gags.

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Sanjay Dutt's 'EMI' role inspired by real loan recovery agent

Sanjay Dutt plays 'Sattarbhai', a bully who collects loan instalments from bank debtors, in his forthcoming film 'EMI'. The character has been inspired by a real-life collecting agent and the Bollywood actor spent a lot of time with him to get his act right.

'Sanju sir's character is modelled on a real-life agent. In fact, the whole film's plot about all these debt collectors who have the thankless job of getting bank loans back from debtors was inspired by the real-life Sattarbhai,' said TV tsarina Ekta Kapoor, who is co-producing the film with Suniel Shetty.

The real-life character's identity is, however, being kept a secret right now.

Said Suniel Shetty: 'We don't want the real Sattarbhai to come into the picture until Sanju baba's fictional avatar is properly unveiled to the public.'

Sanjay Dutt met, interacted with and studied the real-life Sattarbhai very closely to get into the skin of the character. And he was glad that he wasn't playing an underworld gangster yet again.

'This is my most seriously funny and socially relevant character since Munnabhai. And I'm happy to be doing something that doesn't require me to go into the underworld,' he quipped.

As for the real Sattarbhai, he is free to share the thrill of the film unless he suddenly decides to demand a bigger share in the movie's investments.

This isn't the first time this question has cropped up. When Preity Zinta played a real-life battered wife in Deepa Mehta's 'Heaven On Earth', the woman who inspired the character suddenly came forward to demand a huge amount of money.

'She demanded an obscenely astronomical sum of money that really put Deepa Mehta off,' a member of the 'Heaven On Earth' team said.

However, producers Ekta and Suniel seem pretty sure their real character won't suddenly demand his pound of flesh.

'He's more than happy to be a role model for a character that Sanju baba is playing. We'll include him in the promotional events of 'EMI' very soon,' said Suniel.

There's also the debate of 'EMI' sharing its title with the international music label. Any copyright hassles on the anvil?

'But we've registered our title. And EMI is accepted bank jargon, short for Equated Monthly Instalments. If EMI is a music company, then we're glad to be keeping such musical company,' Suniel joked.

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Abhishek, two Bollywood Khans in Forbes' 10 'cell celebs' list

Three Bollywood stars, Shah Rukh Khan, Aamir Khan and Abhishek Bachchan, feature in Forbes magazine's list of 10 celebrities who are brand ambassadors for different mobile phone companies.

The three Indian actors are joined by football star David Beckham and tennis champion Maria Sharapova on the list released by the US magazine, otherwise known for its billionaire rankings. Sharapova endorses Sony Ericsson phones and Beckham lends his name to the Motorola RAZR2 phone.

While Shah Rukh lends star power to mobile phones made by Nokia, Abhishek and Aamir endorse Motorola and Samsung phones respectively.

The Forbes report said that Nokia, the world's largest phone manufacturer, 'doesn't work with many celebrities but makes an exception for Shah Rukh, who says he has used Nokia phones for more than a decade.'

It added that after a popular commercial last December, the company sponsored Shah Rukh's Indian Premier League cricket team earlier this year.

The magazine said Abhishek, a former LG Electronics' brand ambassador, now represents Motorola phones in India, and that he is 'Bollywood royalty, thanks to his famous actor father, Amitabh Bachchan, and glamorous actress wife Aishwarya Rai'.

About Aamir, the report said: 'After appearing in his first movie at eight, Bollywood star Aamir now produces and directs films, as well as acts. Samsung has said it is counting on his popularity to help it double its market share in India this year.'

Samsung also claimed that Aamir's work mirrors their brand's 'qualities of innovation, change, discovery, self-expression and excellence in performance'.

Explaining how mobile phone companies are now emulating perfume and designer jean makers in hiring celebrities, Forbes said: 'As nearly everyone on the planet seems to have a cellphone, device makers must work harder to win new customers. Cool designs and low prices help, of course. But so do celebrities. That's led phone makers to recruit some A-listers from Usher (a singer) to David Beckham to lend an ear and a smile to selling cellphones.'

Others in the magazine's 'Ten Celebs and Their Cells' list are singers Fergie, Rain (also known as Jung Ji Hoon), Andy Lau and race car driver Danica Patrick.

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Rab is on Shah Rukh’s side

Never mind if Tashan and Thoda Pyar Thoda Magic weren’t eventful. Aditya Chopra’s Rab Ne Bana Di Jodi is all set to bring back Yash Chopra’s lost glory.



Looks like Shah Rukh Khan will prove to be their lucky charm once again after Chak De... India. At least that’s what numerologist Niraj Mancchanda predicts.



He tells us, “Rab Ne... will be the biggest hit of 2008. It comes to number 42 just like Dil Toh Pagal Hai did and that number vibrates with both Yash Chopra who is a number 9 and Aditya Chopra who is a number 3. The movie may might break records.” So, SRK need not worry about losing his throne or crown.

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'RK' breathes down Deepika's neck!

Don’t know how far this is true, but the word is strong that Deepika Padukone has taken a tip from Saif Ali Khan and professed her devotion to her beloved with a tattoo.



Saif’s “Kareena” tattoo on his forearm is now legend. But Deepika, being shyer and more private than the flamboyant Khan, is reported to have got the initials “RK” daintily tattooed on the nape of her neck.



It can’t be seen, naturally. But Deepika is said to have revealed the tattoo to a friend and spoken about it on the air waves. Bollywood, of course, loves such displays of affection, and if true, some crafty filmmaker must already be considering how to show Deepika’s RK on screen first!

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I rarely talk to Kareena: Shahid

That Shahid Kapoor is a man of few words is fairly well-known. After maintaining a dignified silence over his much-publicised break-up with longtime girlfriend Kareena Kapoor, the only thing he wants to talk about is work.



To begin with, after a six-month stint away from the media, the reclusive Shahid, who’s not really basked in the success of Jab We Met, finally has plenty to look forward to.



And we are not talking about his ‘friendship’ with Sania Mirza, Vidya Balan or Amrita Rao, which has ensured he’s got reams of printspace. Shahid’s got a brand new film (Kismet Konnection), what looks like an image makeover and a cheerful attitude about life in general.



His character in KK is a lot like the real Shahid. “Much like him, during my struggle days, I have spoken white lies just like we all do in our quest for success,” he says.



Quiz him about those rumours linking him with Vidya Balan, who’s rumoured to be ‘close’ to him and Shahid firmly admits that while shooting, “Vidya and I have become good friends. It was fun working with her as she is a great actor and an easy person to work with. We look good together on screen and I hope people like us”. A gentle query about his one-time friend Kareena Kapoor, and Shahid sounds diplomatic and cagey, “Kareena and I rarely talk. Beyond that I would not like to talk about it.”



In fact, even though he has been spotted watching Sania Mirza’s matches at Wimbledon and the two are reported to be serious about each other, Shahid



doesn’t seem to be in a tell-all mood. Not that he denies his liaison with Sania, but he doesn’t seem keen on talking about his love life at this point. “I am a normal 27-year-old guy. But honestly, there’s no romance

brewing in my life. I don’t want to hide the details, but I don’t want to talk about them either. I believe some things in my life are personal and I would like to restrict information on my personal life. Eventually, people will know what the truth is.” he says.

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Review : Mehbooba

Mehbooba (romance)

Cast: Sanjay Dutt, Ajay Devgan, Manisha Koirala

Direction: Afzal Khan 



SANJAY Dutt looks young and natty. Manisha Koirala is slim and trim. Kader Khan is still around. And Ajay Devgan is callow and boyish. Well, it doesn't take long for you to guess the time period of this of the film. Neither through the characters nor through the plot which is older than the formula itself.



Sanjay Dutt is the immoral playboy who wants a one-night stand with the virtuous Manisha Koirala who teaches him a lesson. She slaps him, not once but twice, in full public view, and ends up being slapped, duped and dumped by the raging tycoon who's still lusting. This time, for revenge. Enter brother, Ajay Devgan, who rescues the damsel and offers her marriage, only to find out that his brother is still longing for the crying girl. Only this time, it's love not lust.



So who gets the girl? Game to find out? Guess the time's over for these treacly tales by now. Specially when all the actors have aged and progressed to more meatier roles.  

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Movie Review : Love Story 2050

Love Story 2050 (romance)

Cast: Harman Baweja, Priyanka Chopra

Direction: Harry Baweja 



PRIYANKA Chopra makes a promise to boyfriend Harman Baweja in India's first full blown sci-fi film. She promises to give him a thandi-thandi kiss after feasting on some strawberry ice cream. Well, the kiss never happens -- the ice cream's bumped out of her hands -- and all that we are left with is a thandi-thandi film.



There is no passion, no action, no jaadu in this mega-budgeted futuristic love story. Even the special effects are more of the picture postcard variety -- vignettes from the future, where the Mumbai skyline is dotted with pink and purple highrises, flying cars, sky buses, shell houses and the sci-fi menagerie comprises a pink teddy bear, a female robot, a Harman-look alike evil android and a poor cousin of Darth Vader (was that Gulshan Grover behind the iron mask?). Of course, there's the old-fashioned oval time machine, chauffeured by a buffoonish Boman Irani with a bad hair day, as he push-buttons our hero to Mumbai 2050.



And thank God for that! For the only thing that works in favour of the film is the gawk factor. Curiosity about the futuristic vision does make for a few compelling moments, post-interval. Specially since the first half is a soppy tale of two lovers who swear eternal love that is abruptly cut short by a banal accident. Desperate lover boy follows his dear departed into the next janam where she's a red-haired diva, with a terrible dress sense, entertaining the world from the Mumbai skies. Of course she's forgotten him, but he's brought her old janam's diary along. So that, all it takes is a few flips of the dog-eared pages to rekindle the thanda-thanda flame.



Harman may have hogged the headlines for his Hrithik-like dance moves and resemblance. Ironically, he doesn't seem to have a Hrithik-like dream debut ( Kaho Naa Pyar Hai ). The actor actually struggles in the small emotional bits, while Priyanka Chopra displays nothing of her characteristic on-screen verve. Finally, it's the zero storyline that works against this sigh-fi film. 

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Yukta makes a comeback

Former Miss World, Yukta Mookhey is making her much delayed comeback in a film called Memsaheb.

And we must admire the guts of the makers who have put up larger than life hoardings of Yukta all over the city.

“This is my best performance till date,” a source quoted her as saying. Really? Which other performances is she talking about? Anyway the big question is.. are we really interested to see this Memsaheb on the big screen?

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Movie Review : Haal-e-Dil

Haal-e-Dil (romance)
Cast: Amita Pathak, Nakul Mehta, Adhyan Suman
Direction: Anil Devgan

ANYONE for Jab We Met minus its zing? Anyone for a long train journey from Mumbai to Kalka, which is supposed to be romantic but ends up as tedious and almost derailed?

There's a serious-looking girl in specs who's on a train to Simla. She meets a funny looking boy who is determined to make a pest of himself with his magic shows that include stealing some radish and carrots from the fields en-route. Soon, her haal-e-dil grows quite serious, as she keeps dreaming of her boyfriend in Simla and flirting with the boy on her berth.

Unlike Jab We Met , you can't wait for this journey to end.

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Review : Mr White Mr Black

Mr White Mr Black (comedy)
Cast: Arshad Warsi, Suneil Shetty, Rashmi Nigam, Sandhya Mridul
Direction: Deepak Shivdasani


SOMETIMES, it surprises you with the choices that men make, specially actors. If, last week, it was Anil Kapoor who aggrieved you with his incoherence as Bhaiyyaji in Tashan, this week Arshad Warsi makes you wonder wassup mister! Now why would an actor who has already proven his calibre, both at the box office and with the fastidious cineaste, say yes to such a brainless film? As Kishen, the small time trickster who leaves his village in Hoshiarpur to earn the title of Mr Fraud in Goa, Warsi is whiny, woe-begone and completely wasted. All his attempts to tickle your funny bone and kick up a storm end up as desperate measures to seek meaning in the mess. And if that's not enough despair, there's Ashish Vidyarthi, another talented actor, trying to make a comeback in Hindi cinema with a parody of himself. Surely, considerations of quality must be more important than quantity in Bollywood too!

For the no-brainer script, there is just this: Mr White (Suneil Shetty) comes to Goa to take Mr Black (Arshad Warsi) back to Hoshiarpur to take possession of a land bequeathed by his father. In between, he meets an oversexed hotelier who cries ‘Kiss me, kiss me,' and gives him a chance to play Mr Bharat to the un-Bharatiya lady. Meanwhile Mr Black is not ready to give up his life as a dirty rotten scoundrel, specially when he overhears some talk of some diamonds somewhere... Again, a heartbreak in store, as you watch sensible actress, Sandhya Mridul make a fool of herself as a tapori girl.

Really, why would anyone want to end up brain dead, even if comedy is the flavour of this silly season.

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Review : Sirf

Sirf (drama)
Cast: Kay Kay Menon, Manisha Koirala, Sonali Kulkarni, Ranveer Shorey
Direction: Rajaatesh Nayar


PLEASE, don't we know what life in a metro is all about by now. Haven't we done the Mumbai salsa several times now. Just let big city blues be, unless, there's still an undiscovered Woody Allen out there to do a New York diary on amchi Mumbai, saddi Dilli, namma Chennai.

Sirf is again a city document, which encapsulates the unfulfilled longings of a bunch of characters who try to fulfil their dreams in the vast, abyss-like metro. There's Manisha and Kay Kay: a rich, successful couple who have everything but quality time for each. There's Sonali and Ranvir: a hard-pressed, middle-class couple with a love story that's losing out on the struggle to earn money. There's Pravin Dabbas and Rituparno Sengupta: a small town couple, struggling with the culture clash of permissive cosmosexuals. And there's a young couple dreaming of finding a roof in the unaffordable city in order to get married. Somewhere down the sleepy comings and goings, their lives get intertwined and salvation does lie round the corner. But for that, you'll have to sit up and shake the yawns, since the director fails to invest energy in his drama. What's more irritating is the sudden twist in the seemingly normal tale about a bunch of happiness seekers. Nah! Kay Kay couldn't get crooked, ekdum se, could he? And a Jabalpur girl (Rituparno) couldn't be such an old-fashioned nag, could she?

Watch out for Manisha Koirala. It's a comeback that calls for a bunch of better roles.

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Review : Tashan

Tashan (drama)
Cast: Akshay Kumar, Kareena Kapoor, Saif Ali Khan, Anil Kapoor
Direction: Vijay Krishan Acharya

DESPERATELY seeking some scriptwriters for Yashraj Inc. After the no-brainer Jhoom Barabar Jhoom, get ready for another plot-dead film that tries to score on presentation alone. Sadly, there isn't even a zany, new age tashan to boast about here. There is a pathetic attempt to exploit the Nostalgia Inc, but unlike Om Shanti Om which made an art of retro, Tashan fails to whip up old-is-gold sentiment, despite rendering Amitabh Bachchan's seminal Deewar soliloquy before Bhagwan in tootie-frootie Angrezi and milking good old Gabbar dry. More importantly, the film fails to capitalise the Saif-Kareena chemistry completely and almost relegates Saif as a sidekick, a role he has ably played against Akshay Kumar in the 1990's with films like Main Khiladi Tu Anadi, etc. But what saddens you the most is the gangster act by Anil Kapoor. As the English-loving Bhai, hailing from small-town Kanpur, Kapoor is absolutely unintelligible and ends up a pale copy of Jaaved Jaafrey's rib-tickling cameo in Salaam Namaste. Now that from an actor of his calibre is absolutely heartbreaking.

So what's worth a dekko? Akshay Kumar as a small-time thug who dreams of becoming a big-time ‘sooter' (shooter) and a zero-size Kareena Kapoor in a bikini, recreating the oomph of Ursula Andress in Dr No. Akshay has progressed into a natural scene-stealer by now and simply walks away with the applause, be it action, comedy or emotion. As Bachchan Pandey, the goonda who is pulled out of Kanpur to work as a ‘recovery agent' for Bhaiyya ji (Anil Kapoor), Akshay creates a tashan that actually works. His job is simple. He must find the two fugitives, Saif and Kareena, who have walked away with Bhaiyya ji's moolah. And he does it with a pizzazz that makes the film work, in bits and pieces. Watch him jump around like Hanuman (or is it Keanu Reeves in Matrix) in a death-defying fight sequence or ward off the slutty con-girl Kareena and then get goofy and giddy in love: you'll join the audience as it applauds his antics with taalis and seetis.

That's it. After that, it's khallas. All the conmen and their crooked acts fail to create a jagged edge, even though you have Saif and Kareena trying to dupe any and everyone, including each other, in the frame. Truly, it's the season of wickedness in Bollywood. Yet, unlike the bhai versus bhai treachery of Race, this roulette of deceit and upmanship lacks sophistication. Stylistically, it is loud and gaudy and peppered with strange lyrics that make a mockery of Hinglish. No, this one's not really a film that lives up to the repute of YRF productions and can be viewed merely for moments of pleasure, whipped up by a manic Akshay.

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Riya Sen- The hottest Bollywood actress and model!

This 5"1 Bollywood actress was born on January 24, 1981 in Kolkata, India. She belongs to a famous family clan of West Bengal. She is the grand daughter of Suchitra Sen, a legend in Bengali cinema, and daughter of Moonmoon Sen, a former actress. Before moving to Mumbai, she lived with her parents and sister Raima Sen, also an actress, in Kolkata. Her father Bharat Dev Varma belongs to the illustrious royal family of Tripura. Her paternal grandmother Ila Devi, was the princess of Cooch Behar, whose younger sister Gayatri Devi is the Maharani of Jaipur.

This gorgeous lady first stepped under the arc lamps at the tender age of 15 when she faced the camera for the famous Tamil flick "Taj Mahal", directed by Bharati Raja. And this is how her acting career started blooming.

Her Bollywood film debut was supposed to have been in Love You Hamesha, opposite Akshaye Khanna. Soon after that it was her comedy movie Style that took her to the success.

Well, most of her other films have not done well on the box office. An exception is Jhankaar Beats, another comedy in which she co-starred with Shayan Munshi, Juhi Chawla, Rahul Bose, Rinke Khanna and Sanjay Suri. Most of her appearances have been item numbers and cameos. Her few leading roles have been in low-budget films.

She has also made her career in modeling, where she appeared in numerous music videos for songs by popular singers, including Asha Bhonsle, Falguni Pathak, Jagjit Singh and Sonu Nigam. She was one of many Bollywood stars who appeared in Haath Se Haath Mila an anti-HIV/AIDS music video.

She is also a successful advertising model. The high point of her modeling career was started when she replaced Lisa Ray as the Lakmé Girl. Her other notable assignments include Colgate, Limca, Vatika, Cadbury Dairy Milk Chocolate, and Margarita King.

After doing her last movie "Apna Sapna Money Money" this young and charming lady has lost again- there is no other fourth coming movies in the row that shows her-Might be she will come back with a new style and passion again.

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Aishwarya Rai And The Lotus Flower: Symbols Of India

Aishwarya Rai is one of the latest beauties to come out of India. She burst into the spotlight twelve years ago when she competed in the 1994 Miss World pageant as a representative of India. After winning the pageant, she went on to become a very successful model and actress who has been dubbed "The Queen of Bollywood." But, Rai isn't the only beauty to come out of India; the gorgeous and exotic lotus flower is an ancient flower so revered in India that it was named their national flower.

The lotus flower has been given a sacred place in Indian culture. It plays a huge role in the art and mythology there and has done so for centuries. In Indian society, the lotus represents divinity, fertility, wealth, knowledge, and enlightenment. Perhaps the reverence of the flower stems from the fact that is an unquestionable beauty despite the fact that it grows out of murky waters and mud. Because of its ability to grow in the water, the lotus is often referred to as the water lily.

Though they have an exotic look, lotuses are actually fairly simple to grow. However, first time lotus gardeners should be aware that the lotus is a very invasive plant that can take over your entire water garden if not tended to carefully. Also, you'll notice that lotus plants may not bloom during their first year-don't be discouraged, the plants will almost surely blossom in the second year. As you watch your lotus plants grow and blossom, watch for yellowing foliage and faded blooms; you'll want to remove them to allow other leaves and blossoms to grow healthy and strong.

Lotuses come in a variety of types that include small plants with one-inch blossoms and larger ones with blossoms as big as your face. Lotus colors include red, yellow, white, peach, violet, and cream.

The lotus plant loves the heat-the hotter the better! In fact, the hotter it is at night, the bigger the flowers will be. During the winter you'll need to make certain the lotus tuber doesn't freeze or it will die. If you're growing them in your garden pond, the pond will need to be at least three feet deep so that it doesn't freeze solid, which will jeopardize the tubers. If you're growing them in pots, bring the pots inside for the winter.

With proper care, your lotus flowers will grow to exotic and fragrant flowers worthy of their status in India. They're exquisite beauty will rival that of fellow Indian Aishwarya Rai.

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Bollywood Film Dance & Bollywood Choreographers

Bollywood dancing is becoming popular everywhere in the world. People in cities like Los Angles in California are crazy about bollywood dance steps. They take private classes or join a bollywood dance academy to learn bollywood classical dance Kathak, Bhangra and other dances.

Bollywood Choreographers make it easy to understand Hindi or bollywood film dance. A choreographer of Indian origin can better assist you learning bollywood dances.It’s always eye-pleasing to see bollywood dances and probably you will think to learn bollywood dancing yourself because it looks very simple. But an experienced bollywood choreographer knows the dances steps and how to learn them easily. It is easy to join any Bollywood Dance School in your area or take a private class.

Any bollywood dance company academy can be of great assistance to learn bollywood dance lessons, like NDM dance productions school in Los Angles. The school is established by Nakul Dev Mahajan to provide dance classes in Los Angeles, California. Its bollywood dance troupe is continuously delivering award winning performances. Recently they won 4 beauty pageant titles. If you reside around or in Los Angles, this bollywood dancing academy is the best available option to learn Hindi dance lessons from.

Indian bollywood dance has come a long way in popularity and technique. Bollywood dancing works out your entire body, its hand eye co-ordination at its best. Many dance competition are being held in India where Farah Khan, Saroj khan and other big choreographers are present as judge. People like to enjoy the dances but altogether they want to see the professionalism and perfection in the performances. Any bollywood dancing school/studio can help you to become a dancing professional or occasional performer. If you are a dance lover, I would recommend joining NDM Dance Studios or contact Nakul Dev Mahajan for a private lesson. You can hire them for private dance lessons, pageant training, TV show production choreography, wedding first dance and any other social event training.

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The Soul Of Bollywood Dance!!

Most Indian dances are based on the treatise Natyashastra by the sage Bharata Muni, which explains the Indian art of acting. Acting or Natya is a broad concept which encompasses both drama and dance.

The Natya Shastra was written by the sage “Bharata Muni” who, it is claimed, was directly inspired by GOD Brahma. The Natya Shastra is incredibly wide in its scope. It consists of minutely detailed precepts for both playwrights and actors. Bharata describes 15 types of drama ranging from one to ten acts. In addition, he lays down principles for stage design, makeup, costume, dance (various movements and gestures), a theory of aesthetics (rasas and bhavas), acting, directing and music, each in individual chapter.

Though its main theme is drama, Natyashastra deals with dance also at considerable length. On one hand, it elaborates various gestures of hands, and on the other, classifies such gestures and movements as either graceful or vigorous; the former, defining the 'lalita' form of dance - 'lasya'; and the latter, its vigorous form 'tandava'. Dance is classified under four categories and into four regional varieties.

The bollywood dances is a jumble of all these gestures and movements, and as per current trend. Hindi film dance steps are easy to learn. If you are a newbie then you can better take bollywood dancing lessons classes from Hindi film dance choreographers or join any classical dance academy/school. It’s easy for you to learn bollywood dance steps if you are a born dancer with the blessing of almighty GOD.

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How To Learn Bollywood Dance

There are many options available where you can learn dance steps from. You may prefer online dance videos, learning dance with videos/cassettes, hiring dance choreographers for home learning, joining academy dance school etc. Having a dancer/choreographer with you when learning dance steps will make you feel comfortable and help you learn the depth of the dances.

Bollywood dances are gaining popularity around the world. People are passionate to learn bollywood dance steps as they are easy to learn and entertaining as well. Hindi Film Dances vary depending on events and occasions. You can see performances like ‘Dandiya Dance’ on Navratra occasion and ‘Bhangra Dance’ during ‘Lohri & Besakhi’. Any classical dance academy or bollywood dance school should be your first choice to learn Hindi dancing; you may also opt for a choreographer for in-home classes.

Dancing is difficult if you want to be perfect. But as said ‘nothing is impossible if you put your mind to it’. Many great dancers start learning since their early childhood, even Nakul Dev Mahajan from www.ndmdance.com started dancing as early as five years of age. He is now running the most acclaimed academy dance school ‘NDM Dance Studio’ in Los Angeles , California . He is a renowned choreographer here and providing bollywood dance lessons for Kathak Dance, Bhangra Dance, Folk Dances and others.

Whatever is your choice to learn bollywood dance, it should be conveniently located and suit your budget. Using dance tutorials, video learning is not as much helpful and in-home dance lessons is an expensive affair. Joining a dancing academy gives you the opportunity to learn dance steps in groups and improve your chemistry of dancing with different people at different locations. You will make friends in the process and it will boost your energy and confidence.

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